The 20 Best Postmodernist Movies Of All Time

It is a science fiction film with futuristic sets and action but it combines costumes, offices, punk rock hairstyles of the 1940’s. One of the prime features of postmodernism is loss of identities. Postmodernism typically criticizes long-held beliefs regarding objective reality , value systems, human nature, and social progress, among other things. In cinema, Postmodernism brought with it darker kinds of films that viewed the world with a hint of detached irony. Postmodern movies aim to subvert highly-regarded expectations, which can be in the form of blending genres or messing with the narrative nature of a film. Postmodernism attempts to subvert, resist and differ from the preoccupations of modernism across many fields (music, history, art, cinema, etc.).

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  • The majority of films have been genre films and genre categorization has existed throughout cinema’s history.
  • The soundtrack is as vast as the formats and styles used, it features a Rage Against The Machine, Juliette Lewis, Dr Dre, and a Nine Inch Nails song written for the film.
  • A blade runner must pursue and terminate four replicants who stole a ship in space, and have returned to Earth to find their creator.
  • Featuring advertisements for Coca Cola, which were approved by the soft drinks empire before the film without any knowledge of its gruesome narrative.
  • Take a look at one of the most meta characters ever created, Abed from Community.
  • However, magical elements are added that heighten the world.

Postmodernism emerged in a time not defined by war or revolution but rather by media culture. Unlike modernism, postmodernism does not have faith in master narratives of history or culture, or even the self as an autonomous subject. Rather postmodernism is interested in contradiction, fragmentation, and instability.

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Additionally, many postmodern films tell stories that unfold out of chronological order, deconstructing or fragmenting time so as to, once again, highlight the fact that what is appearing on screen is constructed. This would exemplify the fusion of high and low because Michelangelo is widely regarded as one of the greatest of all painters, whereas fast food is commonly named among the lowbrow elements of modern society. Ridley Scott’s Blade Runner might be the best known postmodernist film. Scott’s 1982 film is about a future dystopia where “replicants” have been invented and are deemed dangerous enough to hunt down when they escape. There is tremendous effacement of boundaries between genres and cultures and styles that are generally more separate, along with the fusion of disparate styles and times that is a trope in postmodernist cinema. The film is playing with time and culture and genre by mixing them all together to create the world of the film.

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This particular film’s colour palette, cinematography, production design and music makes it quite an interesting film. Travis Brickle, the protagonist of Taxi Driver, is driven by this extreme urge to cleanse the society. The film in some ways tries to show the downfall of the post modernism. It is about the disorientation of Travis with what has become of New York. His attachment with the Taxi is also symbolic of man and his machine.

Slacker Jeff “The Dude” Lebowski, mistaken for a millionaire of the same name, seeks restitution for a rug ruined by debt collectors, enlisting his bowling buddies for help while trying to find the millionaire’s missing wife. Julie, a girl from the valley, meets Randy, a punk from the city. Somehow they need to stay together in spite of her trendy, shallow friends. Two seemingly-dumb teens set off on a quest to prepare the ultimate historical presentation with the help of a time machine.

And as long as there are philosophies, there will be movies trying to communicate and reconcile those ideas. The film opens with a happy and almost ‘perfect’ note and slowly it reveals the dark side of a modern society. Post modernism speaks about this internal decay of an otherwise perfect society. The use of classical elements of film noir in it and how it tries to break Hitchcock’s way of expressing suspense, shock and surprise makes this movie post-modernist. The film is full of pop culture imagery from the 50’s and 60’s with its music and art direction choices.

Hollywood’s early mixing of genres for publicity purposes was rudimentary at best, typically involving a small number of genres combined in an unspectacular and fairly traditional manner. Only rarely was attention drawn to disparities among the genres thus combined. Recent films, on the contrary, often use intertextual references and conscious highlighting of genre conventions to stress genre conflict. As is the concern with most of his films, Wes Anderson tackles themes of uncommunicative extended family relationships in this nautical story. Speaking of which, the narrative seems to spring out of nowhere – not dissimilar to the stolen money in ‘Psycho’, the search of the mysterious jaguar shark gives the characters agency.

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The film has been a huge success for over 25 years in terms of entertainment and box-office takings. It could be argued that its success is partly due to the wide range of genres that it evokes, the effect being to broaden its audience appeal. In this respect, the application of postmodernism to film-making could have an economic imperative as well as an aesthetic purpose. Postmodernist film is a classification for works that articulate the themes and ideas of postmodernism through the medium of cinema. Some of the goals of postmodernist film are to subvert the mainstream conventions of narrative structure and characterization, and to test the audience’s suspension of disbelief. Postmodernism is a complex paradigm of different philosophies and artistic styles.